A lone figure standing at the edge of a vast mountain landscape at dusk, looking out toward an undefined horizon — no marked trail, no destination sign, just open terrain and fading light. Contemplative, cinematic, wide-format. Muted earth tones, deep shadows, sense of stillness and open possibility.

Wolf Tracks at Dusk

Kham, 2004

The pass near Jara Lhatse was behind us, but the valley below it led the wrong way. We climbed for four hours through thorn bushes beside a half-frozen stream, and at one rest I nearly fainted: for days I had eaten little more than butter tea. At the top there was no way down, only a high plateau at 4,500 metres, and the fresh snow on it was crossed by wolf tracks. Not paths: whole roads.

The sun dropped behind the ridge. Each time I stopped to catch my breath, I simply fell into the snow. My head filled with questions: what am I doing here, who would ever find us? Down in the valleys there is always another way out. Up there, there was none.

Then I remembered that the most common cause of trouble in the mountains is losing composure. I stopped winding myself up, walked faster, rested less, and kept going into the dark.

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